\version "2.20.0" \language "english" \paper { #(set-paper-size "letter") bookTitleMarkup = \markup { \column { \column { \fill-line { \fromproperty #'header:instrument { \huge \larger \larger \bold \fromproperty #'header:title } \null } \fill-line { \null { \large \bold \fromproperty #'header:subtitle } \fromproperty #'header:composer } \fill-line { \null \fromproperty #'header:arranger } } } } } \layout { indent = 0.0 } \header { title = \markup { "Intermezzo" } subtitle = \markup { "No 2 from" \italic { "Drei Intermezzi" } "for Piano Op 117" } composer = "Johannes Brahms" arranger = "Arr. Stuart Popejoy" instrument = "Double Bass" % composer = \markup { \center-column { "Johannes Brahms" "Stu" } } % arranger = \markup { \hspace #0 "arr. Stuart Popejoy" } tagline = "May 12 2021" copyright = "May 12 2021" % copyright = \markup { "arrangement Copyright" \char ##x00A9 "2021 Stuart Popejoy" } } midC = #(define-music-function (parser location body) (ly:music?) #{ \relative c' #body #} ) bassC = #(define-music-function (parser location body) (ly:music?) #{ \relative c #body #} ) trebC = #(define-music-function (parser location body) (ly:music?) #{ \relative c'' #body #} ) bar = #(define-music-function (parser location barnum) (number?) #{ \barNumberCheck #barnum #} ) \midC { \override BreathingSign.text = \markup { \musicglyph #"scripts.caesura.curved" } \clef bass \time 3/4 \key bf \minor % \tempo \markup { "Andante con troppo e con molta espressione" } \partial 16*5 df16 c gf ef c' | bf16 f df8 r8. bf'16 c gf ef c' | f16 bf, df,8 r8. f'16 af df, bf af' | gf16 df ef,8 r8. df'16 gf c, af gf' | f16 c df,8 r8. c'16 f bf, gf f' \bar 5 | ef16 gf, c, df' c gf ef8 r8. f'16 | ef16 a, f df' c a ef8 r8. gf'16 | f16 c a f e' c a f ef' c a f | df'16 bff gf df bff bff' gf df bff gf gf' df | ef16 gf, a c ef gf a \breathe df16\noBeam c [ gf ef c' ] %%%%%%%%%%%%%%%%%%%%%%%%%%%%%% \bar #10 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%% | bf16 f df8 r8. bf'16 c gf ef c' | f16 c df,8 r8. \clef treble f'16 bf e, c bf' | a16 ef f,8 r8. f'16 af d, bf af' | g16 df! ef,8 r8. \clef bass ef'16\noBeam gf [ c, af gf' ] \bar 14 | f cf df, ef' df af cf,8 r8. e'16 | f c af df c af c,8 r8. \clef treble c''16 | df g, e c bf' g df c g' e bf c | bf' f c af f c' af af' gf c, af gf' \bar 18 | \clef bass f cf df, ef' df cf f,8 r8. eff'16 | df af df, c' cf af eff8 r8. \clef treble df''16 | cf af eff gf, bff' gf df gf, af' f cf gf | gf' eff bff gf \clef bass eff bff' gf eff bff gf bff eff %%%%%%%%%%%%%%%%%%%%%%%%%%%%%% \bar #22 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%% | \tuplet 3/2 { gf8 bff eff } gf8 \fermata << \midC { f8 ef ef | df4. df8 ef ef } \\ \midC { af4 df,8~ | df g af4 gf8 gf } >> << \trebC { af4. f8 bf ef, | af4. f8 c df } \\ \midC { f8 c df4 gf8 c, | f g, af4 bf,4 } >> \bar 26 << \midC { af4. gf8 gf [ bf ]} \\ \bassC { r8 bf ef4 ef8 r8 } >> << \midC { cf8 bf a bf b c | ef df c df c bf | a bf df c bf c } \\ \bassC { d4 ef ef | f f df | gf gf gf } >> \bar 30 << \midC { bf4 a8 f' [ef ef] | df4. df8 ef ef } \\ \bassC { f4. af4 df,8~ | df g af4 gf8 gf } >> << \trebC { af4. f8 bf ef, | af4. f8 cf! df | < f, a >4. bf8 bf4} \\ \midC { f8 bf, cf4 gf'8 cf, | f bf, cf8 df af bf | gf, df' gf4 gf8 df' } >> \bar 35 \clef treble << \trebC { a4 bf bf | cf bf g | af gf2 } \\ \midC { eff8 df c df eff df | ef df c df ef df | f df bf af c } >> << \midC { f4.. } \\ \bassC { 4 df'8. } >> 16 8 r16 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%% \bar #39 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%% | 8. \clef bass e,,,16\noBeam f a f' f, gf bf gf' f'\noBeam | ff df ff, ff' ef df g, g, af c af' af'\noBeam | gf ef gf, gf' f ef a, a, bf d bf' bf'\noBeam | af f af, d, b' bf' af f c df, df' bf' \bar 43 | af f cf bf af f' cf bf af f cf c | df af cf c df af' cf c \clef treble df af' cf af | g e bf af g e' bf af \clef bass g e bf b | c g bf b c g' bf b \clef treble c g' << \trebC { df8 | c g4 } \\ \midC { e8~ | e b c } >> \clef bass << \midC { df8 c gf~\noBeam | gf df8\noBeam c2 } \\ \bassC { ef4 b8 | c8 r8 r8. e,16 f8. f'16 } >> \bar 49 | a, c \clef treble df' [ ef, c' gf bf c, a' ef af a, ] | gf' c, f gf, \clef bass ef' c a gf ef c df' [ ef, ] | c' gf a,8 r8 df'16 f, cf' af cf, cf' %%%%%%%%%%%%%%%%%%%%%%%%%%%%%% \barNumberCheck #52 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%% | bf af d, e,\noBeam f8. bf'16 cf af cf, cf' | f af, f a, bf8. f''16 af d, bf af' | gf ef ef,8 r8. df'16 gf c, af gf' | f c df,8 r8. c'16 f bf, gf f' \bar 56 | ef gf, c, df' c gf ef8 r8. f'16 | ef a, f df' c a ef8 r8. gf'16 | f c a f e' c a f ef' c a f | df' bff gf df bff bff' gf df bff gf gf' df | ef \clef treble df'' [ cf bff af gf ef df ] \clef bass c gf ef c' %%%%%%%%%%%%%%%%%%%%%%%%%%%%%% \barNumberCheck #61 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%% | bf f df8 r8. bf'16 df ff, bf, df' | gf cf, ef,8 r8. ef'16 df aff bf, df' | cf gf ef8 r8. cf'16 af, c, ef' | af df, f,8 r8. df'16 af' df, ff, af' \clef treble \bar 65 | df g, bf,8 r8. df16 gf c, a gf' | cf f, af,!8 r8. \clef bass b16 e as, g e' | a ds, b8 fs'16 ds a8 ds16 a fs8 | a16 ds, a8 gs'16 ds a8 fs'16 ds a8 \bar 69 | \grace 16 \clef treble ef'' a, ef8 a16 ef a,8 \clef bass ef'16 a, ef8 | a16 ef a,8 af'16 ef a,!8 gf'16 ef a,8 | f'16 c a f e' c a f \tuplet 3/2 { ef'8 c a } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%% \barNumberCheck #72 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%% | f4. << \midC { d8 c c | bf4. e8 f d | bf f d f' ef ef | df4. g8 af f | df af f } \\ \bassC { f4 f8~ | f e, f2 | r4. af'8 bff bff | af e, f2 | r4. } >> \clef treble \bar 76 << \trebC { df8 c c | bf4. \clef treble bf8 b b | c4. \clef treble c8 bf bf | af4. \clef treble af8 a a | bf4. bf,8 df df } \\ \midC { r8 ef4 d8 \clef bass e,, f4 df''4 | e8 \clef bass e,, f4 e''4 | f8 \clef bass e,, f4 4 | d8 \clef bass e,,8 f4 bf'4 } >> | \bar 81 << \midC { f4. f,8 c' c } \\ \midC { bf8 e,, f2 } >> | << \midC { ef4 df c~ | c2 bf4 } \\ \midC { 4 | bf8 f df' bf df f } >> \bar 84 bf'8 f df' bf << \midC { df f | 2.} \\ \midC { bf4 | bf,2. } >> }